In the shadow of the nuclear accident in Fukushima in 2011, Japanese musician Phew, artist Erika Kobayashi, and German electronic music pioneer Dieter Moebius (Cluster, Harmonia) came together for an extraordinary project. Together, they developed the concept album Radium Girls 2011, which they released in 2012 under the project name Project UNDARK—114 years after the discovery of radium by Marie and Pierre Curie. The album is dedicated to the so-called Radium Girls, female factory workers in the United States during the 1920s who painted watch dials with radioactive luminous paint and suffered severe health consequences from radium poisoning. On the occasion of the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, the label Bureau B is reissuing Radium Girls — for the first time also on vinyl.

• Limited Anniversary Edition: hand numbered, limited edition light blue double vinyl, 500 copies available!
• Third album from the French spacerock electro combo masterminded by Richard Pinhas. Heldon’s darkest work lays another stone in their sonic mosaic: synths,drones, fuzz and trippy improvisations. Intense Heldon!!

• Limited Anniversary Edition: hand numbered, limited edition white vinyl, 500 copies available!
• Sophomore album from the French space rock electro combo (1975)
• Here, Heldon mastermind Richard Pinhas has formed a duo with Georges Grunblatt
• The music: an interplay of feather-light acoustic guitars, Mellotron textures, fuzzy sounds and heavy, spherical synthesizers

Bureau B once again dive into the Sky archive, unearthing another overlooked masterpiece long due for rediscovery. Originally released in 1985, 'Voyage' finds Dieter Schütz venturing beyond his Berlin School roots into a realm of lo-fi immediacy and New Age naivety. Every instrument is played by Schütz himself, except for the drums on "Above", which are performed with syncopated zeal by Michael Fecker. While its textured synthscapes and wistful melodies may echo the aesthetics of 2010s Vaporwave, 'Voyage' captured a longing for another world, not through borrowed nostalgia, but through a contemporary vision of escape. Here, Schütz’s music is lush yet unpretentious, full of warmth, curiosity, and the gentle imperfections of handmade sound, his combination of organic and synthetic instruments marrying to summon faraway landscapes — Amazonian forests, sunlit coasts, and cosmic night skies.

Thumbing through the back pages of German electronic music, Bureau B uncovers another hidden gem from the Sky Records archive: 'Inventions', the 1983 collaboration between Adelbert von Deyen and Dieter Schütz. Fusing expansive kosmische textures with biting rock guitars, motorik rhythms, and the growl of '80s synth-pop, the duo conjure a sonic singularity which still sounds like the future today.
Compact yet cosmic, 'Inventions' distils ambient drift and experimental edge into taut, three-minute pop miniatures, with the occasional longer track extending the energy without losing any of the impact

Cluster can be counted among the most important international protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, whilst to some they are firmly embedded in the krautrock universe. There is some truth in all of these notions. Cluster (or Kluster as they were in the beginning) were founded in 1970 in Berlin by Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius. A change in direction and musical differences moved Moebius and Roedelius to split from Schnitzler after which the duo recorded 10 regular studio albums between 1971 and 2009. Their debut album ("Cluster 71") was in Wire Magazine's "One Hundred Records That Set The World On Fire" list. "Cluster II" is influenced by Berlin and Hamburg; situated somewhere in the middle of artistic happenings, musical outrageousness and drug abuse: an urban mixture.

After more than 40 years, Silberstreif's EP ‘Ich suche dein Gesicht’, first released on Sky Records in 1983, is available again. Rather unusual for Sky's catalogue, the duo played flawless synth-pop with German-language lyrics. This EP sank into obscurity in the 1980s flood of hyper-commercial German New Wave releases. The band later became an insider tip and the EP a sought-after collector's item. The re-issue is accompanied by four previously unreleased bonus tracks.

Genre-resistant Berlin duo Neuzeitliche Bodenbeläge return to Bureau B with Neue Kreise, a sharp sophomore LP that shakes a cocktail of musical influences into an irresistible blend of smooth, synthetic pop. If their 2020 debut Der Große Preis saw the N(ewer)DW angst of their early releases give way to bubbling boogie and kosmische funk, this 11-track outing dives headfirst into the deep blues and sunset hues of yacht rock and groove-laden jazz fusion, all while retaining their signature lyrical bite.

Hamburg’s kosmische custodians at Bureau B proudly welcome legendary synth maestro Peter Baumann back into the studio for his first solo album since Machines Of Desire (2016). A defining force in the Berlin School of electronic music, both as a member of Tangerine Dream in their most essential era, and as a solo artist, Baumann has always bridged the cerebral and the cinematic. With Nightfall, he embarks on another sonic odyssey, crafting an atmospheric album steeped in mystery and evocative storytelling.

With his first full-length album „Ruinenkampf“, to be released via Hamburg based label Bureau B, Das Kinn embarks on a musical tour de force through the ruins of our time. An electronic armada and kickbox phonetics lead us through haunting soundscapes somewhere between DAF, Kosmische Kuriere and Frankfurt Bahnhofsviertel. Beats on full blast. Bones rattle. Warm synthlines played by cold hands. A saxophone ponders the after.
Hymns for the demolition. Sonic meditations on decay.
Music for the solemn decline.