‘Fluoreszent' is the new solo album by Cologne based artist Hans Nieswandt and his third for Hamburg's Bureau B label.
Hans Nieswandt is a long standing and highly respected key figure in the music scene of Cologne, of Germany and beyond. As a pioneering DJ since the mid-eighties, as writer and editor for the mighty Spex magazine in the early nineties, and as a music producer, solo and with his group Whirlpool Productions, he helped shape the Sound Of Cologne from the mid- nineties onward.

Agree to disagree: A selected Krautrock discography 

Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this.

Japanese producer Saeko Killy returns for her second album of psychedelic electronics and drum machine workouts with “Dream In Dream” on Bureau B.

In contrast to her first LP “Morphing Polaroids”, which was a more collaborative project coming out of the pandemic, “Dream In Dream” sees Saeko Killy take the lion's share of the controls herself. This time around she wrote and played mostly everything herself, meaning she could arrange her songs exactly how she liked, to draw out their dream-like elements.

After a couple of decades dancing in the dark, Berlin brothers Norbert and Volker Schultze finally found their way back into the spotlight via Bureau B's much-needed reissue of their minimal and masterful debut LP 'Dinner Für 2'. Now the Hamburg imprint turn their attention to the second VONO LP, 'Modern Leben', which found the brothers Schultze expanding on the stark palette of their debut, adding spiky fretwork and muscular rock chords to their infectious synth-lines and efficient rhythms for an altogether heftier sound.

Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with 'Ambientale', a journey into otherworldly sounds from the years 1983 - 2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic & enigmatic, 'Ambientale' is a stranger you've only just met but can't stop thinking about.

If you're already aware of Rüdiger Lorenz, chances are you washed ashore on 'Southland', his cult kosmische curio graciously reissued by the ever-benevolent Bureau B in the middle of the last decade. Either that, or you're one of the few hundred electronic music obsessives who encountered his work the first time round, giddily grabbing up the eighteen cassette, vinyl and CD releases the prolific part-timer delivered DIY style on his Syntape and Syncord imprints between 1981-1998. I say this because despite a catalogue both copious and singular, and a renewed interest amongst the switched on and tuned in since his premature passing in 2000, Rüdiger's reception has remained sadly subterranean - another example of audio inequity. As such, it falls to 'Synrise', attentively assembled by Rüdiger's son Tim, to shine some rightful light on this unique talent.

Die Wilde Jagd collaborates with Grammy Award-winning Metropole Orkest, conducted by Simon Dobson, for majestic new album "Lux Tenera – A Rite To Joy," commissioned by Roadburn Festival. In an extraordinary convergence of sonic innovation and orchestral mastery, Sebastian Lee Philipp, the visionary behind Die Wilde Jagd, is set to unveil his most ambitious project to date: Lux Tenera – A Rite to Joy.

"Cités Analogues" was the first album released by Lightwave's core duo Christoph Harbonnier and Christian Wittman. Recorded between April and May 1988, edited and produced in July 1988, "Cités Analogues" was then distributed through the alternative scene as a cassette.

Key facts to begin with:

• Limited Anniversary Edition: embossed, reverse board, hand numbered, limited edition yellow vinyl, 500 copies available!

• Conrad Schnitzler (1937–2011), composer and concept artist, is one of the most important representatives of Germany’s electronic music avant-garde. A student of Beuys, he founded Berlin’s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums

• The yellow album appeared in 1981, yet it contained recordings from the year 1974, originally released in a limited run on cassette (“The Black Cassette”)

The enigmatic and expressive Chikiss breaks a three-year silence with Between Time and Laziness, a brand-new LP of dramatic and dreamlike synthpop perfectly suited to Hamburg’s unfaltering Bureau B. Written in St. Petersburg, Berlin, and Athens, and co-produced by Finnish multi-instrumentalist Jaakko Eino Kalevi, the album renders the existential, psychological, and philosophical in song form. Exploring motivation and self-doubt, the long shadow of the Soviet Union, and collective empathy with a cinematic flair, Chikiss weighs darkness and light, landing on the side of hope in her most considered and polished vocal album to date.