"For the better part of five decades in every music project I was involved in, I aimed to infuse it with a transcendent quality" Baumann states. With Nightfall, the composer has created a shimmering doorway, just waiting for you to step through.

available on CD / LP / limited blue LP / limited blue LP + signed cover print (jpc only) / digital

One-Time-Live-Show: Vitebsk-born, Berlin-based singer, composer, and producer Galina Ozeran, aka Chikiss, presents her latest album, Between Time and Laziness, in Berlin. Written in St. Petersburg, Berlin, and Athens, produced in collaboration with Finnish multi-instrumentalist Jaakko Eino Kalevi, the album renders existential, psychological, and philosophical themes in song form. Exploring motivation and self-doubt, the long shadow of the Soviet Union, and collective empathy with a cinematic flair, Chikiss balances darkness and light, ultimately landing on the side of hope in her most refined and polished vocal album to date. For this special night at the theater space of Ballhaus Prinzenallee, she will be joined on stage by Jaakko Eino Kalevi, Die Wilde Jagd, Saeko Killy, Sveta Ben, Mustelide and more friends.

Toben Piel likes to visit cemeteries. In those places of peace and idyll he finds the distance to contemplate transience and consider the hereafter as a concrete location. His debut album “Ruinenkampf” comes from the same mindset – distancing himself just enough to get straight to the
point with a running start.

Available as CD / LP / tape and on all streaming plattforms.

Across its 11 tracks, 'Neue Kreise' expands and refines Neuzeitliche Bodenbeläge's sound, propelling them into new circles, new spheres, and new sonic territory. It sees Niklas Wandt and Joshua Gottmanns tracing fault lines from childhood torment to contemporary crisis, ultimately offering a cautious hope for healing.

The third single 'Blei' conjures the spirit of MTV-era widescreen pop, all windblown new-wave grandeur.

Neue Kreise drops May 30. Preorder CD or vinyl.

Recorded in 2024 in Seoul, you will find on ‘Fluoreszent' ten shiny, fresh, joyous songs taking you to many wonderful places; from Kraut to Goth, Synth Wave to Art Pop, Cosmic to Comic - and all the way to the end of the rainbow. Important contributions came from unexpected sides: legendary German krautrock drummer Wolfgang Seidel gave him permission to use a lot of his beat recordings, a connection was made by Seoul-based German free music pioneer Alfred Harth, (who also took the album cover photo), more drums came from Philipp Janzen of the band Von Spar (who also did the final mix of the album) and the mastering is by Jörg Burger, another living legend of the Cologne electronic music scene.

‘Fluoreszent' is available on LP / CD and on all streaming platforms.

Out today: Krautrock Eruption
Compilation - An Introduction To German Electronic Music 1970-1980
Book – Krautrock Eruption is a rousing counter-narrative to the usual depictions of Krautrock, written by Wolfgang Seidel, member of Conrad Schnitzler’s band Eruption and co-founder of Ton Steine Scherben.

The compilation is available as limited transparent vinyl via Rough Trade / black vinyl / CD

We are excited to announce “Neue Kreise”, the second full-length album by genre-resistant duo Neuzeitliche Bodenbeläge. A sharp sophomore LP that shakes a cocktail of musical influences into an irresistible blend of smooth, synthetic pop. If their 2020 debut Der Große Preis saw the N(ewer)DW angst of their early releases give way to bubbling boogie and kosmische funk, this 11-track outing dives headfirst into the deep blues and sunset hues of yacht rock and groove-laden jazz fusion, all while retaining their signature lyrical bite.

After the first single “Im Dunklen” in February, the second track „Bittere Gifte“ is out now, accompanied by a one-take car wash video.

“Neue Kreise” will be released as LP/CD/digital and is now available for pre-order!
 

Peter Baumann, a member of the legendary Tangerine Dream period and a defining force in the Berlin School of electronic music, heralds the arrival of his latest solo album Nightfall, with the hypnotic brilliance of lead single “From A Far Land”, a cinematic soundscape where cascading tones and eerie chimes entwine with giallo-infused piano and pizzicato strings. Driven by a pulsating bassline and intensifying percussive thrust, the track builds toward a ritualistic crescendo, as Mediterranean horns wail through a haze of dub effects.

Album out May 16th 2025. Ready to pre-order!
Available as CD / LP / LTD blue LP / LTD Blue LP + signed cover print (jpc only)

Mit der zweiten Single vom Anfang Mai erscheinenden Album »Ruinenkampf« erwischt uns Das Kinn im Unbehagen des Post-Wahlkampf-Gemenges: »Die Ratten, expressiv, aggressiv: »Die Ratten suchen ihren Fänger / Sie suchen und finden die Erlösung im Volksempfänger. Abgesang, auch politisch zu lesen, auf jene gegenwärtige, weitreichende Idiotie, die sich aus allem herauskotzt und die man sich in ihrer grenzenlosen Dummheit nicht ausdenken kann«, schreibt Hendrik Otremba im Pressetext über das Stück »Die Ratten«.

Wie immer im Hotel im außersaisonal weitgehend verlassenen Meersburg am Bodensee aufgenommen, erstmalig mit echtem Schlagzeug und insgesamt einem Setup, das nach “full band” klingt, großteilig aber von Joshua Gottmanns und Niklas Wandt kommt, mit ausgewählten Gästen! „Die Klausuren am See, diese Fluchten in die v.a. nächtliche Arbeit sind für uns eine Notwendigkeit geworden, und ich glaube, sowohl die Konzentration als auch diesen Eskapismus, das Streben in die Ferne, das Hinauswaten ins Ungewisse spürt man ganz deutlich. Musikalisch, weil wir in dem merkwürdigen Vakuum dieser Tage dort ohne jegliche funktionale Hintergedanken an die Geräte gegangen sind und natürlich vor allem textlich, vieles von Umbrüchen, Vorahnungen, aber auch Hinter-sich-lassen und überwinden. “Wie leicht sich die alte Haut abstreift, ganz von allein” - wenn es dann geschieht, dann kaum merklich und flüssig. So ist es uns mit vielen der Stücke ergangen, sie tauchten auf wie aus einer Nebelwolke, brüchig teils, dann wieder grotesk und fast pompös - viele dieser zunächst beiläufig hervortretenden Adern haben wir weiterverfolgt. “Im Dunkeln” etwa begann ganz schlicht als Riff am Fender Rhodes, das im eingemotteten Speisesaal des Hotels stand.“